Talking about history using the language of non-figurative art seems to be almost impossible. History is always specific, whilst abstract painting avoids certainty, appealing not to facts, but emotions. Nevertheless, we are often mistaken, excluding feelings from history. All vicissitudes and achievements of the epochs affect not countries, not some ephemeral societies – it changes lives of people. 2000 Camp David Summit by Gheorghe Virtosu attempts to capture the emotional climate of the event – the mood of the failed expectations, anger, and disappointment. Such ‘mixture’ is expressed in the complex coloring of the backdrop. It is made of dark blue, combined with the strokes of purple, red, orange, yellow, and light blue, which were applied in the coloring of figures as well. Those tints, clear and joyful themselves, evolve into a somber mass oil painting. The notes of conflict are supported with the drawing of the image, where roundish shapes are merged with some elongated, sharp fragments.